But there's very little in the way of specific, detailed policy critiques. Of what little there is, I don't know how you support a president and don't expect him to "head of the American killing machine." That's what a Commander In Chief is. I can't think of a single president, who was more committed to loving the weak and the vulnerable first. In specific, practical terms, I'm not even sure that it's a good idea, nor do I know what it means.
Tell me, is his writing always as crappy as his obamapologies are craven?
Please please please holyfuck, Feingold 2012! I will donate money and time for the megagiggles alone. I'll even keep kayfabe until Feingold stuns Obama in Iowa, though I won't need to after Obama orders a drone strike on Feingold's tour bus on its way to New Hampshire at a rest stop off I-90 near Dunkirk NY.
- On complicity. Mine, yours, ours.
- Outgunned in the War on Bullshit.
- Understanding hacks and their hackery.
- A frothy mix of fecal matter and lube.
- Three pigs, Newt the least.
- Pssst... he's in it for the money.
- Things you might have missed.
- Controlling the flood.
- Out of work.
- Purple Line!
- My current and future hell. It's Rockville, not North Bethesda.
- Get off my lawn!
- The longest street in DC with no traffic control.
- MFAs: Griping about the "cookie-cutter" short stories and hothouse atmosphere of the MFA literary world already seemed old hat back when I was first asked to write about it for Salon, in 1997. The mistaken belief that everyone enrolled in such programs writes minimalist stories à la Raymond Carver is also surprisingly persistent. That's probably true, though it's also true Raymond Carver SUCKS unto SUCKITY SUCK.
- Mahler's symphonies online.
- The heavenly music corporation.
- The world's greatest.
- Here's one of Planet's pieces:
THE WAR AFTER THE WAR
Where were the neighbors? Out of town? In my pajamas, I sat at my father's feet in front of their squat, myopic television, the first in our neighborhood. On a screen the size of a salad plate, toy airplanes droned over quilted fields. Bouquets of jellyfish fell: parachutes abloom, gray toy soldiers drifting together, drifting apart— the way families do, but I didn't know that yet. I was six or seven. The tv was an aquarium: steely fish fell from the belly of a plane, then burst into flame when they hit bottom. A dollhouse surrendered a wall, the way such houses do. Furniture hung onto wallpaper for dear life. Down in the crumble of what had been a street, women tore brick from brick, filling a baby carriage. II What was my young father, just a few years back from that war, looking for? The farm boy from Nebraska he'd been before he'd seen Dachau? Next door, my brother and sister fought the Battle of Bedtime, bath by bath. Next door, in the living room, a two-tone cowboy lay where he fell, too bowlegged to stand. Where was his horse? And the Indian who'd come apart at the waist— where were his legs to be found? A fireman, licorice-red from helmet to boot, a coil of white rope slung over his arm like a mint Lifesaver, tried to help. A few inches of ladder crawled under a cushion, looking for crumbs. Between the sag of couch and the slump of rocker, past a pickle-green soldier, a plastic foxhole, cocoa brown, dug itself into the rug of no man's land and waited to trip my mother. III Am I the oldest one here? In the theater, the air of expectation soured by mouse and mold— in the dark, a constellation of postage stamps: the screens of cell phones glow. And then we were in Algiers, we were in Marseille. On foot, we fell in behind a ragged file of North African infantry. Farther north than they'd ever been, we trudged straight into the arms of the enemy: winter, 1944. Why did the French want to live in France, the youngest wondered while they hid, waiting capture by the cold. They relieved a dead German soldier of greatcoat and boots. Village by muddy village, they stole, shadow to shadow, trying to last until the Americans arrived— as if, just out of range of the lens, the open trucks of my father's unit would rumble over the rutted horizon. Good with a rifle, a farsighted farm boy made company clerk because he'd learned to type in high school—how young he would look, not half my age, and no one to tell him he'll survive those months in Europe, he'll be spared the Pacific by Hiroshima. Fifty years from then, one evening, from the drawer where he kept the tv remote, next to his flint-knapping tools, he'd take out a small gray notebook and show his eldest daughter how, in pencil, in tiny hurried script, he kept the names of those who died around him.