Thursday, February 19, 2015

To Whisper of the Religion Upstairs in the Dark

Blessed Serendipity: Magnetic Fields/all Stephin Merritt projects are both Earthgirl's and Planet's favorite bar none. Planet graduates college on May 16 in Just North of Appalachia in Northeast Mid-Central Ohio. I just bought her a graduation present, tickets for Merritt in Columbus the evening she graduates:

Stephin Merritt will embark on a rare solo tour of the U.S.A. starting May 2nd, 2015, accompanied by long-time bandmate Sam Davol on cello. The duo will play 14 dates across the country, including two dates in Los Angeles and shows in Washington, D.C.; Austin; San Francisco and more. Visit the calendar for the tour itinerary and ticket information.

For this series of intimate performances, Merritt will present a set of solo, acoustic versions of selected songs from his wide ranging catalog. As a framework, Merritt plans to perform 26 of his songs in alphabetical order. Will he begin with "Absolutely Cuckoo" or "A Chicken With Its Head Cut Off," or...? Will he end with "Zebra" or "Zombie Boy," or...? You'll find out!

Wasn't sure if anyone else who might be joining us or not, so four tickets. Earthgirl and I are also going to see this in DC on May 3, tickets on sale Friday, I'm to buy four, one for Hamster and one for - I'm not going to lie to you, Brother - the woman Earthgirl wants to set him up with. Earthgirl will claim that the woman GENUINELY loves Magnetic Fields so while this IS technically a set-up the audacity of the set-up is mitigated by the woman's genuine love of Magnetic Fields. She believes this, I'm not going to argue. It's an early May Sunday, Brother, surely you've a ticket to something already that night. If not, find something. Or join us.

I'm hoping this will be the I song at one of the shows:


Jack Gilbert

He is shamelessly happy to feel the thing
inside him. He labors up through the pines
with firewood and goes back down again.
Winter on the way. Roses and blackberries
finished, and the iris gone before that.
The peas dead in the garden and the beans
almost done. His tomatoes are finally ripe.
The thing inside him is like that, and will
come back. An old thing, a dangerous one.
Precious to him. He meets the raccoon often
in the dark and ends up throwing stones.
The raccoon gets behind a tree. Comes again,
cautious and fierce. It stops halfway.
They stand glaring in the faint starlight.


Jack Gilbert

I was carrying supplies back up the mountain
when I heard it, the laughter of children
so strange in that starkness.
Pushed past the brush and scrub willow
and saw a ruined farmhouse and girls
in ragged clothes. They had rigged a swing
and were playing as though they were happy,
as if they did not know any better.
Having no way to measure, I thought,
remembering the man in Virginia who found
a ruined octagonal mansion
and repaired it perfectly. For months
he walked through the grand empty rooms
wondering what they were like.
Until he found a broken chair in the attic
and re-created the colors and scale. Discovered
maybe the kind of life the house was.
Strangers leave us poems to tell of those
they loved, how the heart broke, to whisper
of the religion upstairs in the dark,
sometimes in the parlor amid blazing sunlight,
and under trees with rain coming down
in August on the bare, unaccustomed bodies.


Jack Gilbert

There is nothing here at the top of the valley.
Sky and morning, silence and dry smell
of heavy sunlight on the stone everywhere.
Goats occasionally, and the sound of roosters
in the bright heat where he lives with the dead
woman and purity. Trying to see if something
comes next. Wondering whether he has stalled.
Maybe, he thinks, it is like the No-: whenever
the script says dances, whatever the actor does next
is a dance. If he stands still he is dancing.


Jack Gilbert

Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.


Jack Gilbert

The Poles rode out from Warwaw against the German
tanks on horses. Rode knowing, in sunlight, with sabers.
A magnitude of beauty that allows me no peace.
And yet this poem would lessen that day. Question
the bravery. Say it's not courage. Call it a passion.
Would say courage isn't that. Not at it's best.
It was impossible, and with form. They rode in sunlight.
Were mangled. But I say courage is not the abnormal.
Not the marvelous act. Not MacBeth with fine speeches.
The worthless can manage in public, for the moment.
It is too near the whore's heart: the bounty of impulse,
and the failure to sustain even small kindness.
Not the marvelous act, but the evident conclusion of being.
Not strangeness, but a leap forward of the same quality.
Accomplishment. The even loyalty. But fresh.
Not the Prodigal Son, not Faustus. But Penelope.
The thing steady and clear. Then the crescendo.
The real form. The culmination. and the exceeding.
Not the surprise. The amazed understanding. The marriage,
not the month's rapture. Not the exception. The beauty
that is of many days. Steady and clear.
It is the normal excellence, of long accomplishment.