Friday, January 17, 2025

I See, Said the Blind Man, As He Puts Down His Hammer and Saw

My left eye




Populated with you-can-guess which assholes, genocidaires, psycho&sociopaths, shitlords, hunt and peck at your (dis)pleasure. My right eye




I can't speak to RIP David Lynch beyond noting I recognize his significance by how friends analog and digital are mourning his loss and praising his art. I don't watch things, never did much, don't at all now, I listen to music, read, make things, it's not a moral stance, I wish I could, it's a weakness not a strength, not a point of pride but a point of embarrassment. I try, I just can't, so here's Ed to speak to David Lynch
I saw Eraserhead decades ago and haven't felt compelled to ever watch again and I watched the first episode of Twin Peaks, but I'm old and going blind and can't read like when young, I'm willing to try anew, what Lynch first?
O, violence to not-human animals is a non-starter, the only Joy Williams' novel I haven't read, *Breaking and Entering,* I won't read because I saw in a review thirty years ago people saw-off live pelicans' beaks and no, fuck no. No. Never. Fucking humans, the shittiest species. I'd prefer to not see human-on-human violence but can deal with it if necessary, ditto books
REST IN PEACE, BOB UECKERI haven't watched a baseball game in thirty years, I listen to local play-by-play all season long, every season, L & C can vouch
13 SentinelsThere is not one book in this list of 2025 releases that delights me it's being published
There's a new Legendary Pink Dots album!
REM has essentially disappeared from American culture
A GUIDE TO NURSE WITH WOUND





I SEE, SAID THE BLIND MAN, AS HE PUT DOWN HIS HAMMER AND SAW

John Ashbery

There is some charm in that old music
He’d fall for when the night wind released it:
Pleasant to be away; the stones fall back;
The hill of gloom in place over the roar
Of the kitchens but with remembrance like a bright patch
Of red in a bunch of laundry. But will the car
Ever pull away and spunky at all times he’d
Got the mission between the ladder
And the slices of bread someone had squirted astrology over
Until it took the form of a man, obtuse, out of pocket
Perhaps, probably standing there.

Can’t you see how we need these far-from-restful pauses?
And in the wind neighbors and such agree
It’s a hard thing, a milestone of sorts in some way?
So that the curtains contribute what charm they can
To the spectacle: an overflowing cesspool
Among the memoirs of court life, the candy, cigarettes,
And what else. What kind is it, is there more than one
Kind, are people forever going to be at the edge
Of things, even the nice ones, and when it happens
Will we all be alone together? The armor
Of these thoughts laughs at itself
Yet the distances are always growing
With everything between, in between
The tall hedges that seem to know what life is:
An offering that stands to one side. And we dream.

7 comments:

  1. 1/i had a memorable experience when in a movie theater watching "dune" when it was first released

    one of my fellow audience members - we occupied about half the seats - behind me would laugh in a disrespectful way at lines that seemed infelicitous or awkward or ridiculous to them - this happened occasionally for several minutes - finally without turning around i spoke out in a clear and loud voice, saying, to the best of my recollection - "you who are so sophisticated and keep laughing - be even more sophisticated and BE QUIET"

    then someone else - an adult female, emphatically said - "thank you"

    this is a true story

    2/i have seen the movie again in the intervening decades - one criticism i would make is casting a white guy, dean stockwell, as dr. wellington yueh

    3/latest cinematic adaptation, starring timmy the c as paul atreides/muab'dib - was enjoyable to me

    4/i never saw "twin peaks" - have requested dvd from my local public library

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  2. i asked x's grok about "the shittiest species" - they said only human actions can be judged on moral dimension - everybody else is just trying to stay alive and reproduce, one way or another - and basically repeated shri krishna's point that people have both divine and demonic tendencies - in different words, of course

    those are striking eyejeff's

    which is shittier - matt miller smirking as the journalist is dragged out, or biden warning us about oligopoly

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  3. in the words of the LLM which has "distilled"/"stolen" the thoughts of many, and pasteurized and homogenized them:

    Parasites: They are not "shitty" in the same ethical sense since their actions are not choices but necessities of their life cycle. However, from a human perspective, their impact can be seen as negative due to the suffering they cause.


    In essence, the comparison isn't about which species is "worse" but about understanding the different contexts of behavior in nature versus human society.
    Humans have the potential for both great destruction and great good, which places a unique responsibility on us to act ethically and responsibly.

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    Replies
    1. to which one could reply: what you mean us, large language model?

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  4. it has been written:

    Fordism, the assembly-line method pioneered by Henry Ford, was inspired by the disassembly lines of slaughterhouses, where animals were processed in sequential, repetitive tasks. Both systems relied on division of labor, standardization, and mechanization to maximize efficiency and throughput, though at the cost of dehumanizing workers by reducing them to monotonous, narrowly defined roles. This parallel highlights how industrial capitalism prioritized scale and profit over individual well-being, treating both workers and animals as interchangeable components. While these systems revolutionized production, they raise enduring ethical questions about the balance between efficiency and the dignity of labor and life.

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  5. Re: MC's Laughter in the Dark, at Dune, story: I'm imagining it was Sting's line-readings that triggered it ("I WILL kill HIM!")

    Re: REM: I always thought that disappearance was an elegant power-move (we still have all the recordings with their original vintage energy, after all). REM were (was? these aggregates vex my grammaristical self-image) coaxed into performing Losing My Religion at a recent songwriter hall of fame thing and the performance was... geriatric. Not just a matter of tempo. All urgency (I considered it an urgent song, always) had vanished, just like the group had promised its aggregated bodies would. I always loved that song because I knew the meaning of the song's title (having heard various Black matrons threatening to lose their religions, over naughty child hijinks, in the 1970s) and northern suburbanites didn't. Anyway: I think we need MORE old musicians gigging but what we don't need old musicians being forced to reiterate the sexy vocals and stage moves of their heydays. I'd like to see Old musicians doing more New Material in ways cleverly adapted to knee-strength.

    I think I've mentioned before that "recent" BAUHAUS spectacle of Pete taking the stage to sing BL's Dead, after so many years, and being fairly majestic... until tripping on a cable, a minute in, and stumbling across the stage in a pogo-gallop, in pirate gear, stopped by the amplifiers or something. The original videos are still there, let's use them!

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    Replies
    1. an Old musician doing New Material is todd rundgren performing a song co-written with rivers cuomo of 'weezer' - the album track samples the song 'dick tracy' by the jamaican band the skatalites

      In a press-release for the song, Rundgren stated "It’s just a little parable about what happens when you align yourself with a treacherous leader."

      "down with the ship"

      https://www.youtube.com/watch?v=_0CVHNz_qHk

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