THE GODDESS WHO CREATED THE PASSING WORLD
The Goddess who created this passing world
Said Let there be lightbulbs & liquefaction
Life spilled out onto the street, colors whirled
Cars & the variously shod feet were born
And the past & future & I born too
Light as airmail paper away she flew
To Annapurna or Mt. McKinley
Or both but instantly
Clarified, composed, forever was I
Meant by her to recognize a painting
As beautiful or a movie stunning
And to adore the finitude of words
And understand as surfaces my dreams
Know the eye the organ of affection
And depths to be inflections
Of her voice & wrist & smile
Detective Hardwood looks like Batman this morning
pouty cupidy mouth
and a lot of black sculptural clanking
the statuary in my mortuary,
the Masonic Hall having burned again in dreams
but everyone still keeps skipping towards it
it's a hollow a round shell
my life as the shape of the ways I've been fucked
by prevailing thought & practice
all the conscious and unconscious sexisms
selfishnesses affluences assumptions suppressions in drift
GET RID OF ALL CONTROLS—is what the Soul keeps screaming.
____________________
I look up someone grins
you're a bloody feral wolf-face I like you.
____________________
I sleep-walked in a dream to a man's apartment—
a man I'm doing business with—
I forgot, but how could I? how I'd gotten there,
and when I die will I remember all such forgotten things
GET RID OF THE CONTROLS
I want to
remember now.
I apologized to the man for not adhering to office hours
it was four a.m. Office hours are better he said.
Don't arrive anywhere in your sleep
don't mix up night and day
soul and detective. No.
____________________
There must be so much to reclaim
because I'm so limited
____________________
this.
They broke your day
they fought it you
forgot how advantageous
to be fit with god and not see eye
you forgot gold sun brilliant
in this story
go in conscious.
____________________
That queen that Assyrian woman
was so cruel and that never
occurred to her ... but
those eyes saw raw smells and gods everywhere dusty
this dust I was truly assembled from
at least as you, we are communally
such.
If you say you'll hurt me, do you
really mean me
I can't be, can I, hurt?
____________________
“Hut Sut Tut Mut there's gonna be a wedding”
I dream that's a song. Wake up with, in my head,
“They say don't go
on Wolverton Moun-tain” (“Her tender lips/are sweeter than hone-y”
____________________
Later.
I have a drop of blood on a front tooth
I kind of don't mind—
This the list of what we've done:
It was different structure we killed it
put beasts in the refrigerator
and that was almost as bad as my own enslavement.
Then I saw Christ's blood pumped into a rejuvenating mummy.
This great sickness we're part of apple clot
and can you really chew it detective
Oh sure I can, I'm Robert Mitch-ham.
____________________
you've broke your own sto
I'm sort of hysterical
the E is it for hope, cutting
the E might be for Hope
Nope
and bloody, the bloodiest is Hope.
Where are the E's of exactness?
E is my middle name
*
Strumming a guitar making patter I couldn’t hear how could
There be room for a guitar I should be like him tell you things I’m
Shy tried remembering a dream of a language of spontaneous irregular spirals
Did I even see anyone our ridiculous eyes I remember when my vision started to
xxxxxx blur at age six
I thought I was effecting this change deliberately I still wonder
Why would I have done that pushing mentally at my eyes as they worsened
Maybe they hadn’t seen right was I asking them to see more not less
The new sight would be subtly different as you joined with what you saw
My sight blurred more I felt my way more and with glasses then contacts read
xxxxxx constantly
When I was in my thirties my retina detached I began to see street lamps as crooked
We didn’t have any money then I wasn’t examined for three weeks
Waiting for the street lamps to straighten up why not
After the surgery in the hospital I gathered my wits to go on seeing
With a worsened left eye I still find street lamps crooked
I don’t know what’s really out there I’m still working on how to see
I’m tired of having separate senses though or of the idea of senses
I wasn’t really looking this morning in the métro adorable Jewish child
Alone glasses and Orthodox hat dark coat bewildered by the train’s refusal
Ladies in skirts and weirdly toed stilettos I’m always looking at the feet
Greying men wearing dignity the train wouldn’t run for them though we all saw it the same
xxxxxx way it wasn’t working
It’s just a train you’d say ephemeral I’d say I’d say souls riding nothing much
In no real clothes blurs on their way to some imagined location anyway
*
LICENSE
None of it’s there that you cared for, so familiar
furniture and paintings. The medals aren’t there either
I’m still there but it isn’t; I’m here; sword,
I have sword — imagine — and disguising protect-
ive the ancient helmet. Her head was cut off
nonetheless. The man brought the head along
to the doctor: the head said to. Shouldn’t we
bring the body I asked in case he wants to re-
attach them Oh, the head hadn’t thought of that.
What do you have instead of a body, there?
We have a wholeness of perception what we are
asking you to do for us, write down our poems
creates a body. Otherwise our body ... isn’t
that we aren’t sensuous ... but we decohere,
you must understand that the universe
is always developing or changing its face —
body — whatever; we have always been it
but it’s never quite right ... pilot’s license;
my pilot’s license is a fossil, you said. We
need yours. We need your license.
When Momma first, the very first hallucination
that the decompression tube in her stomach was black ...
It isn’t black I said over the phone well I thought
it was she said, not being fanciful, and I
was in a motel in Colorado at the time. Whose head
was it really I repeat. For we never leave here
and nothing fossilizes but stonelike mossy
patterns might be made, colors transformed
walk to the hospital, everyone’s mad at me, who cares?
It was my whole soul transported and all its certainties
that I existed, beneath all the legends, otherwise
as joy.
1/bisbee, arizona, alice notley's birthplace, has had an eventful history, including the bise deportation
ReplyDeletewikipedia mentions as notable people Ken Westerfield, disc sports (Frisbee) pioneer, and science fiction author jack williamson, who invented the term "genetic engineering" in 1951, but omits ms. notley
2/today i learned about a recent book by mike berners-lee, "a climate of truth: why we need it and how to get it" - in the chapter that is made available to read by free download, he writes "what this book is arguing for, is that socio-economic systems are able to undergo a system reset; they manage to achieve a new mode of operation in which the rules and processes are different, and the growth rate is healthily tamed."
how this reset might take place is no doubt discussed somewhere else in the book, published in march 2025 by cambridge university press
1/https://www.amdoc.org/watch/bisbee17/
DeletePOV Season 32
Feature Film
2019
120 Mins
Radically combining documentary and narrative elements, Bisbee '17 follows several members of the close-knit community in Bisbee, Arizona, a former mining town, as they commemorate the 100th anniversary of the Bisbee Deportation, when 1,200 immigrant miners were violently taken from their homes by a deputized force, shipped to the desert on cattle cars and left to die. Official Selection, 2018 Sundance Film Festival.
2/In *A Climate of Truth: Why We Need It and How to Get It*, Mike Berners-Lee explores how socio-economic systems can undergo a fundamental reset to effectively address the intertwined crises of climate change, biodiversity loss, inequality, and pollution—what he terms the “polycrisis.” This reset involves a comprehensive transformation of political, economic, and cultural structures, moving away from the prevailing growth-driven model towards one that prioritizes sustainability, equity, and truth.
### The Pathway to Systemic Reset
1. **Elevating Truth as a Central Value**
Berners-Lee identifies the erosion of truth in politics, media, and business as a core obstacle to meaningful climate action. He argues that restoring honesty and transparency is the most critical lever for systemic change. Without a shared commitment to truth, efforts to address environmental challenges are undermined by misinformation and vested interests.
2. **Reforming Political and Economic Systems**
The book critiques the current political and economic frameworks that perpetuate unsustainable practices. Berners-Lee calls for a significant evolution in how political systems function and how all parties conduct themselves, emphasizing that climate and ecological emergencies must transcend party politics.
3. **Challenging the Growth Imperative**
A central theme is the need to move beyond the relentless pursuit of economic growth. Berners-Lee advocates for a circular economy that values citizenship over consumerism, urging societies to focus on what individuals can contribute rather than what they can consume.
4. **Encouraging Individual and Collective Action**
While systemic change is paramount, Berners-Lee also emphasizes the role of individual actions. He suggests that citizens can drive change by engaging in political processes, choosing sustainable lifestyles, and supporting organizations that align with environmental values.
Berners-Lee's vision for a systemic reset is grounded in the belief that by confronting uncomfortable truths and fostering a culture of honesty, societies can reorient their structures and values towards a more sustainable and equitable future.
* [The Guardian](https://www.theguardian.com/books/2025/mar/24/a-climate-of-truth-mike-berners-lee-review-environmental-crisis-policy-politics-conservative-government?utm_source=chatgpt.com)
[1]: https://earthbound.report/2025/05/08/a-climate-of-truth-by-mike-berners-lee/?utm_source=chatgpt.com "A Climate of Truth, by Mike Berners-Lee – The Earthbound Report"
1/on hoopla, which my public library makes available
DeleteBisbee '17
2018
Grasshopper Film
English1h 52m
Cast Mike Anderson, Charles Bethea, Ken Boe
Director Robert Greene
Closed Captions: English
Radically combining collaborative documentary, western, and musical elements, the new film by Robert Greene (Kate Plays Christine) follows several members of a close-knit community as they attempt to reckon with their town's darkest hour. In 1917, nearly two-thousand immigrant miners, on strike for better wages and safer working conditions, were violently rounded up by their armed neighbors, herded onto cattle cars, shipped to the middle of the New Mexican desert, and left there to die. This long-buried and largely forgotten event came to be known as the Bisbee Deportation. Bisbee '17 documents locals as they play characters and stage dramatic scenes from the controversial story, culminating in a large scale recreation of the deportation itself on the exact day of its 100th anniversary.
2/by accident - one might say - or was it meaningful coincidence? - i learned of berners-lee's latest book on the same day as i encountered info about this arizona event, which took place before my mother was born, although she was born a long, long time ago
bad stuff happened then and there - yes - and on the other hand, it has not been forgotten
in oreskes and conway's the collapse of western civilization: a view from the future the authors imagine bad stuff happening in the future, and also imagine it not being forgotten
you must understand that the universe
is always developing or changing its face
Engaging content, I can see it comes from the heart!
ReplyDelete