Day did not dawn. The night withdrew to expose it evenly pallid from one end to the other as a treated corpse, where the hair, grown on unaware of the futility of its adornment, the moment of the brown spot past, is shaved away like those early hours stubbed into being and were gone, and the day laid out, shreds of its first reluctance to appear still blown across its face where dark was no longer privation of light but the other way round as good, exposed passive and foolish at the lifting of chaos, is the absence of evil. The day existed sunless, its light without apparent source, its passage without continuity, not following as life does but co-existent with itself, and getting through it was to blunder upon its familiar features, its ribs and hollows, impotent parts and still extensions, with neither surprise, nor hope, like the blind man identifying with a memory-sensitized hand the body of a familiar in what they had both called life.
- William Gaddis, The Recogntions
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