Sunday, February 24, 2019

Knelt Before the Philco to Coax the Detonation from the Static








THE PLANET KRYPTON

Lynn Emanuel

Outside the window the McGill smelter
sent a red dust down on the smoking yards of copper,
on the railroad tracks’ frayed ends disappeared
into the congestion of the afternoon. Ely lay dull
   
and scuffed: a miner’s boot toe worn away and dim,
while my mother knelt before the Philco to coax
the detonation from the static. From the Las Vegas
Tonapah Artillery and Gunnery Range the sound
  
of the atom bomb came biting like a swarm
of bees. We sat in the hot Nevada dark, delighted,
when the switch was tripped and the bomb hoisted
up its silky, hooded, glittering, uncoiling length;
  
it hissed and spit, it sizzled like a poker in a toddy.
The bomb was no mind and all body; it sent a fire
of static down the spine. In the dark it glowed like the coils
of an electric stove. It stripped every leaf from every
  
branch until a willow by a creek was a bouquet
of switches resinous, naked, flexible, and fine.
Bathed in the light of KDWN, Las Vegas,
my crouched mother looked radioactive, swampy,
  
glaucous, like something from the Planet Krypton.
In the suave, brilliant wattage of the bomb, we were
not poor. In the atom’s fizz and pop we heard possibility
uncorked. Taffeta wraps whispered on davenports.
  
A new planet bloomed above us; in its light
the stumps of cut pine gleamed like dinner plates.
The world was beginning all over again, fresh and hot;
we could have anything we wanted.