Hayden Carruth
The northern lights. I wouldn’t have noticed them
if the deer hadn’t told me
a doe her coat of pearls her glowing hoofs
proud and inquisitive
eager for my appraisal
and I went out into the night with electrical steps
but with my head held also proud
to share the animal’s fear
and see what I had seen before
a sky flaring and spectral
greenish waves and ribbons
and the snow under strange light tossing in the pasture
like a storming ocean caught
by a flaring beacon.
The deer stands away from me not far
there among bare black apple trees
a presence I no longer see.
We are proud to be afraid
proud to share
the silent magnetic storm that destroys the stars
and flickers around our heads
like the saints’ cold spiritual agonies
of old.
I remember but without the sense other light-storms
cold memories discursive and philosophical
in my mind’s burden
and the deer remembers nothing.
We move our feet crunching bitter snow while the storm
crashes like god-wars down the east
we shake the sparks from our eyes
we quiver inside our shocked fur
we search for each other
in the apple thicket—
a glimpse, an acknowledgment
it is enough and never enough—
we toss our heads and say good night
moving away on bitter bitter snow.
THE CURTAIN
Hayden Carruth
Just over the horizon a great machine of death is roaring and rearing.
We can hear it always. Earthquake, starvation, the ever-renewing sump of corpse-flesh.
But in this valley the snow falls silently all day, and out our window
We see the curtain of it shifting and folding, hiding us away in our little house,
We see earth smoothened and beautified, made like a fantasy, the snow-clad trees
So graceful. In our new bed, which is big enough to seem like the north pasture almost
With our two cats, Cooker and Smudgins, lying undisturbed in the southeastern and southwestern corners,
We lie loving and warm, looking out from time to time. “Snowbound,” we say. We speak of the poet
Who lived with his young housekeeper long ago in the mountains of the western province, the kingdom
Of cruelty, where heads fell like wilted flowers and snow fell for many months
Across the pass and drifted deep in the vale. In our kitchen the maple-fire murmurs
In our stove. We eat cheese and new-made bread and jumbo Spanish olives
Which have been steeped in our special brine of jalapeños and garlic and dill and thyme.
We have a nip or two from the small inexpensive cognac that makes us smile and sigh.
For a while we close the immense index of images that is our lives—for instance,
The child on the Mescalero reservation in New Mexico sitting naked in 1966 outside his family’s hut,
Covered with sores, unable to speak. But of course we see the child every day,
We hold out our hands, we touch him shyly, we make offerings to his implacability.
No, the index cannot close. And how shall we survive? We don’t and cannot and will never
Know. Beyond the horizon a great unceasing noise is undeniable. The machine,
Like an immense clanking vibrating shuddering unnameable contraption as big as a house, as big as the whole town,
May break through and lurch into our valley at any moment, at any moment.
Cheers, baby. Here’s to us. See how the curtain of snow wavers and then falls back.