A bit more from my hour over a pint with my friend H who is Ready for Inevitability. Have you heard about Lessig, I asked. Who, H said? I gave her the website. For the record, I said, I may not be the reliable Democratic rube I once was, and Lessig tips his hand when he implies that once upon a time in a nascent America the oligarchy didn't exist and that the system wasn't rigged, and should he gain any traction whatsoever - which he won't (I'd be pleased to be proven wrong) - he'll be bundled into a car by Inevitability (and Fred Hiatt's scribblers) who will dump Lessig's body into a ravine, but what the fuck, I'll give him $25 in the dire hopes he pisses off Corporation Democratic Party in general and Ready for Inevitability in particular just for a second. You hate Hillary that much, said H. Despise, I said. The word is despise.
- Yes, a Beefheart cover.
- Dog days in the human zoo.
- The suicide of the American Left.
- Who's a dinosaur now? (On Corbyn.)
- Trump, Corbyn, Sanders.
- Existential Google.
- Burlington VT. Dearest Paleo 101, do you still exist?
- 100% True.
- Forgive me, I love love love The Buzzcock's song below the poem.
Say I had no choice, this weightless finger touched my tongue and told me to, it taught me; when kinder and more subtle methods failed, it put a gun to my head, a zero seared coldly in one temple, electrode glued chill to the other, the sniffer dogs rooting and snuffling in my crotch, the small white doorless room, the laser flashlight in one eye. You can’t hear the voice when it utters let there be speech, yet I faithfully spoke what I thought I was supposed to, inspired idiot, or dummy on that lap of language, the words themselves more real than I, words here before we were and when we are not again. So I blurted it out, my initial soliloquies, what I could catch through the static, giving my head a good thump now and then like one of those black-and-white tv sets, and projecting, those were some vast stadiums, the first row of faces as far as near stars if there at all, never having the faintest idea what it meant, the microphone dead, I did my best, tell them. Inch-thick rope for ascot, eyes put out, chained to my oars, all the others long vanished: the first minute of death is so long, like the first minute of consciousness there in the infinite darkness of somebody weeping, you never arrive, never reach shore, never mind with what clarity you seem to hear with your lips distant roar of surf breaking. I pulled too for those who’d come later, I’m guessing, singing in their names as well, sort of lip-synching but singing twice as loud, strapped to the mast, earways cleared, though I heard nothing but nothing, blue. Making up what I couldn’t make out, and all that uproarious and pitiless derision I had to raise my voice above, I mere link—out on that unknown ocean beating at my ears, just as at the beginning, the mother’s heart booming softly; from nowhere it came, like me, months before I arrived to take up the sorry job of being me, whatever a month was, whatever I was then, blind little dolphin with a thumb in its mouth, whatever a mouth was; poor mother mourning her own mother’s dying, over the actual ocean she lay, a strong stone’s throw from the Ohio or that poisoned ghost of it. Mother of my mother dying away from this world just as I was about to die into it. I see them there, up to their knees, gathered as for a baptism, cross traced in hydrochloric acid on a tiny forehead, right there at the dead water’s edge a scythe of moon, a meteor in arc of falling axe of gold for the severing of hairy umbilical rope, hear me out! I saw they were standing watch over her, and my mother’s conspicuous absence, wincing at the constant cough; and I saw her whom I would never meet, nearing peace in the scarlet Magdalenean cerements, clenching lightly between thumb and skeletal forefinger the scarlet egg, and the wide river’s sundering undertow sucking to its breast her shrunken body, fetal in her narrow bed, nothing but a huckleberry craft by now just vanishing around the first bend, more and more lost from sight by my mother, twenty-two, unaided by lunatic male she’d been sentenced to, from Goethe-phase to Trakl-phase. And she breaks down in her hotel room, in bullet-pocked Vienna, helplessly swept down the blind unwept current still flowing, sadness’s chemistry, horror’s and guilt’s, to this day through my veins. Months before we met, I listening to her crying, it went on forever, how not hear it, how not be fed it, in a shoreless darkness of sorrowing I listened, still listen, now watch this and pay close attention: nothing else there, only a listening called me, no name even, till they grave it in stone. Until we finally met, I watched her face rise on the horizon. Then there was some loud mutual screaming in the even more terrible blindness called light. Long before I invented the first word it taught me, it told me the others, so many. So only what was never mine is mine; and when no one is listening I sing what it means to me, even now, hearing my voice through my own disappearing, farther away every day, my mother’s mother’s fate and mine now one as I board the ocean liner at three months of age and arrive in New York, filled with space and time.
1)i read the poemReplyDelete
a)i read about george trakl at wikipedia
b)when i came across the phrase in the poem I board the ocean liner i remembered my ocean liner crossings of the atlantic - eastbound in 1959, westbound in 1962 - some of the scenes in old movies remind me of that experience
i also crossed the pacific by ship, westbound in 1954, eastbound in 1955, but it was not an ocean liner
2)it looks more and more like inevitability ain't necessarily so - abh, b*tches! - even if it is biden
3)another phrase from the poem - one of those black-and-white tv sets - gives me a chance to express my bemusement that i have the option, with my recently acquired ipod touch, of turning the screen grayscale