Showing posts with label A Friend Asked Me About My Poetry. Show all posts
Showing posts with label A Friend Asked Me About My Poetry. Show all posts

Friday, October 23, 2020

Curse Our Surfeits and Submissions

So, it's not a poetry journal, but a leftist anarchist political site emailed me yesterday they've accepted two of my poems for digital publication of a batch of Rage poems, not sure when they will appear, I will of course link

Being me, this throws me instantaneously into a writing block (or deeper into the current writing block, I've been working in haiku straitjacket, nothing frees me like constraints, worked well, being me I abandoned)

Heard three seconds of last night's debate before I could hit the play CD button, here's my friend Duncan's poem *Plane Sex*




 



TAR

C.K. Williams

The first morning of Three Mile Island: those first disquieting, uncertain, mystifying hours.
All morning a crew of workmen have been tearing the old decrepit roof off our building,
and all morning, trying to distract myself, I’ve been wandering out to watch them
as they hack away the leaden layers of asbestos paper and disassemble the disintegrating drains.
After half a night of listening to the news, wondering how to know a hundred miles downwind
if and when to make a run for it and where, then a coming bolt awake at seven
when the roofers we’ve been waiting for since winter sent their ladders shrieking up our wall,
we still know less than nothing: the utility company continues making little of the accident,
the slick federal spokesmen still have their evasions in some semblance of order.
Surely we suspect now we’re being lied to, but in the meantime, there are the roofers,
setting winch-frames, sledging rounds of tar apart, and there I am, on the curb across, gawking.

I never realized what brutal work it is, how matter-of-factly and harrowingly dangerous.
The ladders flex and quiver, things skid from the edge, the materials are bulky and recalcitrant.
When the rusty, antique nails are levered out, their heads pull off; the underroofing crumbles.
Even the battered little furnace, roaring along as patient as a donkey, chokes and clogs,
a dense, malignant smoke shoots up, and someone has to fiddle with a cock, then hammer it,
before the gush and stench will deintensify, the dark, Dantean broth wearily subside.
In its crucible, the stuff looks bland, like licorice, spill it, though, on your boots or coveralls,
it sears, and everything is permeated with it, the furnace gunked with burst and half-burst bubbles,
the men themselves so completely slashed and mucked they seem almost from another realm, like trolls.
When they take their break, they leave their brooms standing at attention in the asphalt pails,
work gloves clinging like Br’er Rabbit to the bitten shafts, and they slouch along the precipitous lip,
the enormous sky behind them, the heavy noontime air alive with shimmers and mirages.

Sometime in the afternoon I had to go inside: the advent of our vigil was upon us.
However much we didn’t want to, however little we would do about it, we’d understood:
we were going to perish of all this, if not now, then soon, if not soon, then someday.
Someday, some final generation, hysterically aswarm beneath an atmosphere as unrelenting as rock,
would rue us all, anathematize our earthly comforts, curse our surfeits and submissions.
I think I know, though I might rather not, why my roofers stay so clear to me and why the rest,
the terror of that time, the reflexive disbelief and distancing, all we should hold on to, dims so.
I remember the president in his absurd protective booties, looking absolutely unafraid, the fool.
I remember a woman on the front page glaring across the misty Susquehanna at those looming stacks.
But, more vividly, the men, silvered with glitter from the shingles, clinging like starlings beneath the eaves.
Even the leftover carats of tar in the gutter, so black they seemed to suck the light out of the air.
By nightfall kids had come across them: every sidewalk on the block was scribbled with obscenities and hearts.

Friday, January 31, 2020

You Bastards! It's All Sherbet

  • I beg all Iowans regardless your loyalties
  • please vote Bernie, it'll be funny
  • our sociopath overlords'
  • nausea (sing along!) heartburn indigestion upset-stomach (falsetto) diarrhea









THE YOUNG

Roddy Lumsden

You bastards! It’s all sherbet, and folly   
makes you laugh like mules. Chances   
dance off your wrists, each day ready, 
                              
sprites in your bones and spite not yet   
swollen, not yet set. You gather handful   
after miracle handful, seeing straight, 
                        
reaching the lighthouse in record time,   
pockets brim with scimitar things. Now   
is not a pinpoint but a sprawling realm.   
               
Bewilderment and thrill are whip-quick   
twins, carried on your backs, each vow   
new to touch and each mistake a broken 
                 
biscuit. I was you. Sea robber boarding   
the won galleon. Roaring trees. Machines   
without levers, easy in bowel and lung. 
                  
One cartwheel over the quicksand curve   
of Tuesday to Tuesday and you’re gone,   
summering, a ship on the farthest wave.

Sunday, March 10, 2019

I Needed Very Badly to Take Refuge in Mediocrity

  • I sit in the living room of the B&B we're staying in Easton as I type this sentence
  • Earthgirl attending a workshop, she's here three nights, me, no
  • she likes B&Bs and I like my wife 
  • Driving the long deadend peninsulas of tidewater Maryland remind me of the long deadend penisulas of downeast Maine
  • Hummingbird Inn on Aurora, as much as I can like a B&B I like this one, and the Szechuan Brussel Sprouts for one appetizer and Baked Beets with Roasted Peanuts and Feta for another at Out of the Fire on Goldsborough last night, this does not suck
  • Flint Michigan does not have potable water
  • While she painted I drove south of Cambridge to walk the Blackwater National Wildlife Refuge, it more than not sucked
  • Driving Maryland's Eastern Shore makes me think of Barth's *Sotweed,* it's been at least a decade
  • I do understand birders though slap me if I ever buy binocs









PROOF OF POETRY

Tom Sleigh

I wanted first to end up as a drunk in the gutter
and in my twenties I almost ended up there—
 
and then as an alternative to vodka, to live
 
alone like a hermit philosopher and court
the extreme poverty that I suspected lay in store for me anyway—
 
and then there were the years in which
 
I needed very badly to take refuge in mediocrity,
years like blunt scissors cutting out careful squares,
 
and that was the worst, the very worst—
 
you could say that always my life
was like a patchwork quilt always ripped apart—
 
my life like scraps stitched together in a dream
 
in which animals and people,
plants, chimeras, stars,
 
even minerals were in a preordained harmony—
 
a dream forgotten because it has to be forgotten,
but that I looked for desperately, but only sporadically
 
found in fragments, a hand lifted to strike
 
or caress or simply lifted for some unknown reason—
and in memory too, some specific pain, sensation of cold or warmth.
 
I loved that harmony in all its stages of passion,
 
the voices still talking inside me . . . but then, instead of harmony,
there was nothing but rags scattered on the ground.
 
And maybe that's all it means to be a poet.

Sunday, February 10, 2019

parties thereof and clause of claws

  • We hiked Browning Run Trail of Little Bennett yesterday since I posted about it Thursday 
  • yesterday morning at MOCO Trail's tweeter released the block on hiking natural trails in MOCO
  • I've improved my layering strategy because fuck coldfuck cold
  • short sleeve wick long sleeve wick short sleeve heavy cotton t-shirt polyester hoodie polyester vest
  • I don't want to live in Michigan
  • Worth mentioning again, the colors of this winter's woods
  • the absence of yellow weebles my wobbles 
  • learning gray's so many gradations worth it




  • The Rise of the Strongman, American style.
  • Elkin's Bad Man: a novel for our time, capitalism, it's first mate consumerism, it's enforcer the greedherders - Bad Man's Leo Feldman, Franchiser's Ben Flesh, Dick Gibson's Dick Gibson, Bailbondsman's Alexander Main, etc....
  • The unseemliness of animal competition, the celebration of, the exhortation to, the holyness its held
  • The unseemliness of winning, the unseemliness of breaking even, the unseemly glee at cheating the losers
  • The animal animal unseemliness of daily life for those of us who doesn't think oneself an animal
  • the animal unseemliness of daily life for those of us who do
  • I'm a third in, Elkin has mentioned but only cameoed Freedman and Victman and Dedman
  • I've only had passing words and my first most positive report card with death threat undertones from Warden Fisher
  • I wear Earthgirl hats until temp and/or windchills in twenties
  • for that and lower










FORECLOSURE

Lorine Niedecker

Tell em to take my bare walls down
my cement abutments
their parties thereof
and clause of claws

Leave me the land
Scratch out: the land

May prose and property both die out
and leave me peace

Wednesday, February 6, 2019

I Must Get a New Bird and a New Immortality Box







THE AMBITION BIRD

Anne Sexton
 
So it has come to this –
insomnia at 3:15 A.M.,
the clock tolling its engine
     
like a frog following
a sundial yet having an electric
seizure at the quarter hour.
    
The business of words keeps me awake.
I am drinking cocoa,
the warm brown mama.
    
I would like a simple life
yet all night I am laying
poems away in a long box.
    
It is my immortality box,
my lay-away plan,
my coffin.
     
All night dark wings
flopping in my heart.
Each an ambition bird.
    
The bird wants to be dropped
from a high place like Tallahatchie Bridge.
    
He wants to light a kitchen match
and immolate himself.
     
He wants to fly into the hand of Michelangelo
and come out painted on a ceiling.
    
He wants to pierce the hornet’s nest
and come out with a long godhead.
     
He wants to take bread and wine
and bring forth a man happily floating in the Caribbean.
     
He wants to be pressed out like a key
so he can unlock the Magi.
     
He wants to take leave among strangers
passing out bits of his heart like hors d’oeuvres.
     
He wants to die changing his clothes
and bolt for the sun like a diamond.
     
He wants, I want.
Dear God, wouldn’t it be
good enough just to drink cocoa?
    
I must get a new bird
and a new immortality box.
There is folly enough inside this one.

Friday, February 1, 2019

It's a One Man Show



Wednesday, December 19, 2018

The Ruined and Vacant Sheets

  • The writing block that's not a writing block, I blame seeing a movie.
  • I bought Earthgirl a $100 gift card (don't 
  • worry, she doesn't read this shitty blog, if she finds out 
  • you told her) to Bethesda Row Cinema and will tell her if we go to three movies the two of us I'll buy her another.
  • I thought I'd read Eliot's Daniel Deronda before but no (I 
  • read Adam Bede, I don't remember a single scene, sentence, image about Adam Bede, the novel, a major Murnane theme, recall reading a novel, remember nothing about the novel).
  • I'm a hundred pages in and happy when suddenly here is Mallinger Grandcourt, I 
  • guarantee after one chapter of the fucksmug (and
  • then there's Gwendolyn) he 
  • is an asshole supreme
  • whose first name will make me smile as only one person can vouch (unless apathy is a disease - origin of the maxim directly related).
  • Novels, I can read Eliot, I can read Murnane, gonna try to read McElroy's cinderblock, but...
  • I know why I'm afraid of movies.
  • I have never had a writing block that worried me less, strange times, a writing block not a writing block.
  • I still think often, daily recently, about Coover's Brunists, Wrath of, that was, um, cinematic...






HAPPY OBLIVION

FRANZ WRIGHT

It circles awhile, I suppose, until at last
having found nothing green
it returns.

The holy dove of tongues on fire released -

The birthday cake, the ruined and vacant
sheets, the pilot lost
in a vast dopamine cloud.

Closed eyes
and lips that open hovering
on the verge of speech, the final

breath, also known as the infinite
hours which proceeded the first,
at last released.

Wednesday, December 5, 2018

Jot It Down and I Stuck It In The Basement

  • Sometime yesterday afternoon this version of blog got its 1,500,000th pageview.
  • I don't know how my free blogging platform counts pageviews and what that number even represents, but none of the pageviews are mine
  • - my free blogging platform permits me block my views or I'd have passed this milepost years ago - 
  • so thank you very much.
  • Yes! I widened margins a bit, might but mightn't...
  • Theme Song: 

Tuesday, November 6, 2018

Faith Fool

Yesterday was Peter Hammill's 70th birthday, I forgot, was about to update the annual post monologue with songs and links to lots of songs because I talked with Bavid D by phone this past summer, I typed the gone first version of this sentence, which mentioned Bavid D and the phone call into this blooooooooooooooger post, and (this is true and this post is about faith) three minutes later my phone vibrates and:
:










I am telling you three times, faith if not fucked wouldn't be faith.

Wednesday, October 31, 2018

nemesis nation

  • Out of Murnane's *Barley Patch,* still in Proust's *Budding Grove,* I need read something else when reading Proust but
  • different days abound
  • regular Stations of Re-Readings don't
  • work
  • fuck re-reading,
  • picked up *Mill on the Floss,* Eliot's English peasant dialect dialogues, no, not at this time, no.
  • Earthgirl is reading the new Murakami and begging me to read it too, I.....
  • so walked yesterday to Bridge Street on Pennsylvania, bought this, BAX worth buying every year,




  • poem below from.
  • Of course I will attempt the Murakami when Earthgirl finishes, I'll love it or hate it, will know by page 30 (more often hate than love but Murakami love is great).
  • The yard signs in my neighborhood split evenly between the Communist Elrich and the Developers' Tool Floreen, a good omen if you hate Floreen more than Elrich like me.
  • A friend who lives in Aspen Hill tells me Elrich signs outnumber Floreen 3-1.
  • How Trump is winning the midterm elections, or: motherfucking Democrats.
  • The satisfied mind of American Fundamentalism.
  • Fat, unhealthy, poor.
  • Toxic tropes.
  • What to read at the end of the world.
  • Hiking past Sunday with Earthgirl I saw the leaf colors subtle but early, she saw them dull and late, so that's different too.
  • The Frederick Post celebrated some fuck who shot a bear then propped dead bear's head on a log then posed with it, hand on rifle, the motherfucking walking shit-sausage.
  • Yes, I jinxed myself yesterday, I'm Olive knocking pipe-cleaners down the basement stairs.
  • Grace Slick turned 79 yesterday.






ORDINARY THINGS

Norma Cole



for Tom Raworth, from his poems

quill whales sail rig waves crowns hum sound body chips hythe saxophone faces earshot ration leaves moments deck potatoes animal memoirs kindling roses tulips lily oyster leg history panther chimneys sheep red lentils monkey granite amber pennies eyes threads shit tin tomato meat time liquid song tag hailstones nemesis nation mist lemon sill moist philosophies bosom midnight horizon flames wind toy voyage chemicals bubble orange smoke embers beach tunics splendour mushroom night tip state organs worker worlds store swan dream dark porch gravel universe curtain thought coffin miner method tension surface breeze coast apples ashes crew home news food yellow bag days rhythm bomb paper heroin brain maggots love lightning stanzas smile submarine summer gale questions couch alcohol playground boy hole devil label wires ink orchard rim work gangways glitz skin gesture armour band mercury wheel clothes walls experiences boxes gas balloon hair belt wreckage empire valves weeds germ ice‐cream root tune oils window stairs stars moon disguise place object pavement flesh strategy women children lorries train clock sites sleep pasture ground animal shelter heart years body drops country forest tissues green fruit food basket eyelids fabric pebbles machines power blood war nature wood snow glass bird feather footstep exit sky library book name vision

Thursday, May 17, 2018

CASUAL(TY)OBSCENEOCENE



  • Third draft.
  • Twelve hours of Glenn Branca.
  • Now that Blog Days of Summer have arrived, play along, I need five more ocenes, as in Life in the.
  • Participation no guarantee your suggestion will be stenciled. Life in the Fuckjeffocene.
  • Whatareyougonnadoaboutitocene.
  • Yes, neoliberalism is a thing.
  • When one Palestinian baby dies.
  • The predictable dysphoria flare-up.
  • Fuck it, it's NOT Rockville, it's Borth Nethesda.
  • Frances' first article for Vice (on the Inauguration Day protesters' legal peril still).
  • I've three basic reactions to the start of the Blog Days of Summer: (1) sulk; (2) spurt; (3) sulk and spurt.
  • Gonna skip the sulk this year.
  • I do need to stop spurting at professional motherfucking Democrats on twitter that they can call me when they quit the motherfucking Democratic Party, for while I. Hate. Motherfucking. Democrats. they are not gonna quit and run as independents.
  • We need a revolution.
  • Futilespurtocene, as in Life in the.






FIVE POEMS IN THE ENGLISH LANGUAGE

Tom Clark

1
   
The sun rose.          The child wept.
The window opened.   Bill opened the window.
School begins at nine.       He began his lecture at ten.
She lived a happy life. They died a dreadful death. 
He slept a peaceful sleep. I dreamed a happy dream. He sighed a deep sigh. 
    
2
  
The sun shone.      The dog bit.      The man knocked.
My father came...               Yesterday was...
The soldier seemed dead.                    His face became white.
   
3
   
        He smelt the flowers.    The flowers smelt sweet.
        The boy looked eagerly.     The boy looked eager.
Ted looked better than his friend.
  
4
   
Tom Brown was my teacher there.
He seems the most important man here. 
   
5
    
The ladies were given the flowers.
The dog was given the food.
the boy was given the dog.
The mother is given a son.
The son is given a mother. 
The son is given a mother.

 

Wednesday, March 14, 2018

Ten Times That If You Count the Dead




  • My recent fit of motherfuckeritus, my apologies.
  • Apostasies, no (though my loathing of my ex-teams yeasts, too much funly!).
  • Fuck me.
  • I am telling you three times: we are being reprogrammed: Not constant hornet?
  • Sea and Cake at Rock n Roll Hotel in May, who's not joining me?











THE MARGIN OF DIFFERENCE

Les Murray

One and one make two,
the literalist said.    
So far they've made five billion,
said the lateralist, or ten
times that, if you count the dead.

 

Friday, March 2, 2018

A Continual Division of Halves






  • Innermost circle of rotation MSADI5G.
  • DC United's season starts tomorrow. Remember when? Here are the probable starters: GK David Ousted; Ds Nick DeLeon, Steve Birnbaum, Frederic Brillant, Oniel Fisher; MFs Junior Moreno, Paul Arriola, Ulises Segura, Zoltan Stieber, Yamil Asad; F Darren Mattocks. I've heard of one of them.
  • UPDATE! Fuck MLS, fuck United.
  • Poetry and the Experience of Contact.
  • >> Deleted bleggalgaze <<
  • Poets' strike.
  • New Yo La Tengo! (and old Yo La Tengo below the poem).
  • Innermost circle of rotation MSADI5G.






IMAGE-NATION 9 (HALF AND HALF

Robin Blaser

there are shining masters
when I tell you what they
look like    some of it is
nearly false   their blue hair
but they are not ourselves   they
are equivalents   of action    they
compose forms,    which we hear
sound within a context
as if that action we are
images of    used us
the body becomes an instrument
sometimes the harp pierces the body
and a man only hangs on the strings
I hear the airborne-fire, the dead rebels’
second speech, which follows their live words,
and the rice, and the motorcycles
but public life has fallen asleep
like a secret name    the wrong-reader
will say he has pity for others
where the thought is born in hatred
of pity, which is only feeling    the action
we are only images of    hates pity
and its reduction of horror to sentiment
wordlessness   no thing is so simply
personal    I put my hand out to catch
beauty in the act of    I know no beauty
which is not permanent    not invoked
in splendour     the words are meaningless
until they emerge in the action     they are
images of
I was once a youth,   and I was
a maiden,     a bush, a bird, a fish
with scales that gleam in the ocean
they come from the dark    under
many names    the blue    wind
they are not ourselves,    not even
the moon drawn down     into our
breasts    that we may strike others
with eros                                      the
body gleamed so                           wind
master                a bone, a ball, a top
an apple, a mirror, a skein of wool
wind   —   words      wind   —  hair    we
have dismembered the earth    and
are born lifeless on the moon     mouths
to the wind
unthought the many mountains, the many
cities,   the many houses
I was once    another man’s heart
an eagle, a wolf    cloud, smoke,
splash
           psychron    (cold, refreshing
anapsychsai   (to be refreshed from evil
we have eaten ourselves   luxurious and
careless    I must bathe at the
gates of the city    I must tell you
they have been blue in the heart,
in the wind
                          I have opened my mouth
they have come from the black-fire
                                                   we have stiffened
the terror of earth,     as if terror were the only unearthly
thing in our hearts
                          we have given her rivers
of our own salt    earth then remains uncanny,
sublime    water is fear’s movement    grief cries
in the air like birds    fire is hidden in the imageless
self
            the blue hair    the face of gold    the clothes
like snow    the blood
                                       is light

                                                           zero
enacts it
            Jack Clarke’s ‘we are under image’
rythmos    (form’s movement)   to walk into    ‘the
primordial always exists’    face to face    always outside
ourselves    the astonishment is
                                     that it is kosmos
playing out with one man   entheos
                                                 they are
the flowing boundary    taking birth    taking leave
at the point of the heart              a continual
division of halves