Not applying not because I hate juried contests though I do and not because zero sum though I'm programmed for zero sum and have been since birth and yes because I hate competing though and because I'm the most brazenly and passive aggressively competitive fuck I know but especially because nothing gives me more joy and concentration and happiness besides hiking with L now and I don't want to fuck it up by inevitably losing and really don't want to fuck it up by impossibly winning but most importantly I just want to hike with L today and tomorrow not debating whether to enter the contest or not
THE PAINTER
John Ashbery
Sitting between the sea and the buildings
He enjoyed painting the sea’s portrait.
But just as children imagine a prayer
Is merely silence, he expected his subject
To rush up the sand, and, seizing a brush,
Plaster its own portrait on the canvas.
So there was never any paint on his canvas
Until the people who lived in the buildings
Put him to work: “Try using the brush
As a means to an end. Select, for a portrait,
Something less angry and large, and more subject
To a painter’s moods, or, perhaps, to a prayer.”
How could he explain to them his prayer
That nature, not art, might usurp the canvas?
He chose his wife for a new subject,
Making her vast, like ruined buildings,
As if, forgetting itself, the portrait
Had expressed itself without a brush.
Slightly encouraged, he dipped his brush
In the sea, murmuring a heartfelt prayer:
“My soul, when I paint this next portrait
Let it be you who wrecks the canvas.”
The news spread like wildfire through the buildings:
He had gone back to the sea for his subject.
Imagine a painter crucified by his subject!
Too exhausted even to lift his brush,
He provoked some artists leaning from the buildings
To malicious mirth: “We haven’t a prayer
Now, of putting ourselves on canvas,
Or getting the sea to sit for a portrait!”
Others declared it a self-portrait.
Finally all indications of a subject
Began to fade, leaving the canvas
Perfectly white. He put down the brush.
At once a howl, that was also a prayer,
Arose from the overcrowded buildings.
They tossed him, the portrait, from the tallest of the buildings;
And the sea devoured the canvas and the brush
As though his subject had decided to remain a prayer.
No more rotating gifs; I may be the gimmick rictus but there are some gimmicks I just can't caw. Below the front and back of an object I may just have fucked up, glued one to each side of the hard cardboard of a watercolor block, the glue I use to glue watercolor paper to watercolor paper not strong enough so used the industrial strength glue my library colleagues use to mend books, wet glue I've not used before and of course did not test on paintings I'm not considering submitting to the contest my wife and daughter and the person running the contest want me to enter, this potentially being the centerpiece of the three I'd send, if I've fucked it up not only fine metaphors have abounded but I will interpret the fuck-up as a sign (of my self-indulgent and sloppy dysfunction) to not submit, did I do this on purpose or not not do it on purpose? Here's front:
Because of and/or in spite of being dark, darkening, furious and fuming today's grid clusterfuck-free, I do get tired occasionally of being dark, darkening, furious, and fuming. I don't want constantly rotating gif, I want a gif that clicks full size, both mood and painting-wise. without needing to shrink so corners can pirouette. A sizeable percentage of yinz visit for the clusterfuck, I didn't make a conscious decision to not fish the Life in the Clusterfuck Ocean until I realized I'd linked to no clusterfuck because I hadn't looked and *then* decided I wouldn't look having realized I hadn't, I am the gimmick rictus, caw. Here's the back:
Hey! it's WFMU's marathon, two weeks a year, this is my church, please tithe for you but do it for me
"Why do we still read? A heavily discursive consideration of process, trauma, and resistance through the example of a newly rereleased mid-career novel by the polyphonic Croatian master badass"
Actually, I'm in the middle of Drndić's *Belladonna* and too soon to vouch but more than enough through to guarantee no disavowal
First riff: The Letters of William Gaddis, “Growing Up, 1930–1946”
"Renee Gladman’s drawings trouble the eye’s desire for cut-and-dried distinctions between word and image"
I absolutely positively VOUCH for the Ravickan tetrology, and I absolutely positively am gonna reread her "Plans for Sentences" since my head in March 2023 is galaxies away from where my head was in June 2022, making-stuff-wise
Dark. Darkening. Furious. Fuming. Daydreaming of shooting people, no torture, no making them beg, I'm merciful, quick dispatch, bango, die motherfucker. We are being reprogrammed, I am telling you three times. The swastikas in my self-portraits were unintentional until I noticed it this morning, I suppose, now that I'm aware, they are intentional going forward
[A VOMIT IS AN EXTREME BURP....]
Jeff Popovich
A vomit is an extreme burp I once consoled Billy Wayne
extremely burping on my shoe
I need to start a new elephant
note page for March but was
afraid I'd forget this poem's first
sentence formatting another
month in a platform I'd rather
paint bricks than use. No
abacuses were used in the how
old are you Jeff the gimmick
rictus of this poem. I'm splat
OK, an abacus *was* used in the immediate above. Hot mess, me. Hike w L this afternoon and tomorrow and Sunday, has always helped, we'll see. I have not googled Montgomery County Maryland's requirements for purchasing a gun, Atlantic Guns right next to China Bistro on Hungerford where we're getting carryout tonight, I'm hopeful I still haven't by Monday. I'll see if I'm still here and there then too. Probably best not to name who I'll be shooting first, here's an old gag but true:
THE IDIOT
John Ashbery
Oh how this sullen, careless world Ignorant of me is! Those rocks, those homes Know not the touch of my flesh, nor is there one tree Whose shade has known me for a friend. I've wandered the wide world over. No man I've known, no friendly beast
Has come and put its nose into my hands. No maid has welcomed my face with a kiss.
Yet once, as I took passage From Gibralter to Cape Horn I met some friendly mariners on the boat And as we struggled to keep the ship from sinking In a storm, the very waves seemed friendly, and the sound The spray made as it hit the front of the boat.
I don't do birthdays here like once and as a result don't check the website I used to check everyday everyday anymore. I missed Hecht's, for instance. I didn't miss Bowie's but didn't post a Bowie birthday post this past January. For years I've posted a big fat W.H. Auden birthday post every February 21, not today (and not last year either?), here is the big fat post as link today, Auden born 116 years ago today. Let's see if George shows up here four days from today. Wooo! too, though probably not
[I HAVE FIVE SQUARES WET...]
Jeff Popovich
I have five squares wet
and haven't typed a word. Here:
Look! Shitty humans
Me, shitty, aiming
news of human shittiness
(once upon a time
daily) for huzzahs
at my keen human shittiness
awooga. Constant
awoogas, we live
Life in the Awoogacene
Starting sixth wet square
My awoogas in
distinguishable, awoo
ga Life in O(bs)cene
L in meadow past Sunday, Winter light best light, all I want to do is hike with L
U.S. President Joe Biden is in Kiev today to rescue his lunatic project of destroying Russia by proxy war. But there is no good way to do that. A review of 'western' media shows that the inevitable outcome of the war is now recognized. The only still open alternatives are to risk a large nuclear war or to retreat from 'western' dreams of its permanent hegemony.
Today in My Complicity - the Mirrlees a buck on Kindle, done
Yesterday in My Complicity - downloaded Daniel Deronda for free from shitlord store, am 50 pages in, will I finish it? Reading it solely for Eliot's sentences
Perfection, of a kind, was what he was after, And the poetry he invented was easy to understand; He knew human folly like the back of his hand, And was greatly interested in armies and fleets; When he laughed, respectable senators burst with laughter, And when he cried the little children died in the streets.
To stop myself thinking about it I bought an Arches 12 x 12 hot-press watercolor block which, if I'd thought about it instead of thinking I needed to buy it, is too big for the bed of the scanner I use so I can post the squares here and there and too big for the laminator I use so that the squares can be handled without fountain pen ink staining fingers, the below is the 12 x 12 cropped to 11 x 11, fine metaphors abound
I've stopped exactly halfway through Fosse's *Septology.* I forced myself to pick it up once, not twice, I sin for not reading it end to end like I once told myself I sinned if I didn't but promise to read after I finish, laugh, McCarthy's *The Passenger,* let me say this about that, I've ordered *Stella Maris* which I'll read after I finish the second half of Fosse's *Septology.* Fosse's Asle has a dog, McCarthy's Bobby has a cat, John Cale has a new song:
Many echoes between the two novels, many probably just me reaching, shared themes, standard novel info-striptease. *The Passenger* is often funny and on two occasions so far laugh out loud funny. I'm open to it and I don't know if I hope I'm wrong or not but lay heavy odds that not *once* will I laugh out loud reading *Septology,* which I will finish though now I like the guy whose move is short verb-less sentences versus this 824 page one sentence novel, another fucking one sentence novel, now, more often than not squeezed into a single paragraph sausage if you're lucky, a too common and now irritating gimmick, it's old, motherfuckers. Old, though below is a new Yo La Tengo song
The people in the elevator all Face front, they all keep still, they all Look up with the rapt and stupid look of saints In paintings at the numbers that light up By turn and turn to tell them where they are. They are doing the dance, they are playing the game.
To get here they have gone by avenue And street, by ordinate and abscissa, and now By this new coordinate, up. They are three- dimensional characters, taken from real life; They have their fates, whether to rise or fall, And when their numbers come up they get out.
We talk about retiring on every hike, hiking every day of our retirement. Tell me something better to do with the $500 a paycheck I put into the maw of shitlords they can and will snatch when they want. This slow-motion blessed, infuriating, anxiously boring memory of what I know will happen but hasn't happened yet never ebbs. Not an accident Senator Cracker within 48 hours burped support for both absolute christer control of sluts' bodies and robbery of my $500 a paycheck I put into the maw of shitlords they can and will snatch when they want. Me retiring: I have a familial history of retirements that cripple retirees, sometimes temporarily, most times not, and what to do when not hiking, I ask myself, worried, with my eyes? Blog be ham radio with my inability to sharpen pencils and fixed, fixes, and will fix nothing, portrait of my house, Momcat waving
Finding your ownlevel of hell with cultural signifiers glowing in the lamplight giving a safesuntan both opaque and transpárent-in-a started picture of-your-fírst - bánd in a hip commúnity-where áll will be one - foréver-in-a whóle-new-cán better-than-a-dog with a túrnip-and-a bée in the building collecting money-for-the-French - overcapacitátion-of-a-secret stár on a favorite yacht on a ledgelike evening telling your stories through me
Showing-mé to méemptying texture from things-from-which-I- regularly-gó as it clings to a lóng-wooden-tábletagging someone to-spéak- below-the-súrface with two more eyes along its flankas-lócal-as-a-memorial- remémbrance overjoyed and meaninglessas the sort of political process I try to shrug offforeshadowed-in-a-book of mémoriesit came through the door that was found in the skymoving-acróss-itself
Delayed by an-impróperly-drawn-cóntract inscribed on a falling tree a free-lance composer loves móstto-be-writing-as-he-spéaks to-make-a-living difficult to see - any-resúltsto-talk-about-lífe - próblemsto be freehe released a work for chorus one-hour-lóng and one for sólo voice to fínd - tíme to bréathe tén - páges a dáy to keep up the paceone minúte a daytwo or three hours to copy two or three seconds of music
To concretize that thinking with nón - Wéstern elements nót the reason dimensions of time and spacea little at first in numerous currents of time now the single unrelenting-units-of-our-líves in ábsolute time but óthercourses of time defy measurement-by-digitalized-únitsalways shifting don’t-have-any-room-to-compláin every-minute-of-the-dáy caught up in grand ópera Japanése musical groups don’t have conductors
Each with a time of their ownthey produce their beat-by- interáction of different tíme-framestime-spáce difference breaking down they-interséct-each-other unlike the gardens-of-Versáilles meant to be wálked-through and seen-from-different- víewpointsthey mutually reinfórce-one-another spring summerautumn and wínter Japanésegardens are the-sun-and-the-móon togéther
The not-twó-entity the spáce here óneoverall-strúcture concretely-bound-togéther spring’s direction is eastits pitch isG rereading-them-in-a-módern cóntextgetting-lóst in today’ssociety not simply relics-of-the-pást reintegrated-in-the-fúture strongly pulled towardWéstern things how-can-that- be-só? assimilating Western rational thínking
Shine the Light Internátional the best of the West and the East together the reception after the concert the theories the experi- ences the caréer dréad doesn’t-seem-to-have-múch to-dó-with-it just surprised not very large lots of electrical óutlets nóne of this is part of our start to restóre it I’m sórry about it we each have our níche and are própped-in-itat a wonderful móment deep-appreciation-of-the-Ásia Society
Twó páckages-like-Chrístmas presents Martin-Luther- Kíng the Pówer-Structure Panther a wéekend - house the-Fóur – Séasons a hillock of stonein-the-sáme-bréath swatting-out-mosquítoesluck or hábitthe ending fire a rainbow the scenery encased in the clouds with the birds in-the-middle- dístancea cóal-stove existence-that escápes - yéars - after-we’re-góne just-a-little-bit-senti- méntal-in-Gérman beside a lake without a náme